In a village where everyone left, Redjo stays behind, he becomes the heart of Sllupkovo. A heartwarming comedy celebrating community resilience. Everybody Calls Redjo, the village hero.
In Albania's post-communist landscape, a lonely mother, Mira, and her troubled teenage son, Toni, struggle through an outbreak of civil violence that tears their East European nation apart.
At the turn of the century, a 9-year-old boy and his mother travel to the capital city to undergo a medical procedure.
Fahrije’s husband has been missing since the war in Kosovo so she sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere.
The driver of two human traffickers ends up unknowingly helping his clients drive his kidnapped daughter outside the country.
Pirulli family is just an ordinary family living in Prishtina, Kosovo. But a dark, mysterious, and brutal past, comes back to haunt them and everyone around.
Haunted by her long-suppressed past and pressured by family to seek treatment from mystical healers for her infertility, a Kosovar woman struggles to reconcile the expectations of motherhood with a legacy of wartime brutality.
A young boy living in a house of women must race to save a woman who is teaching him Serbian, so that he can continue the search for his missing father.
The calm and ordinary life of a forgotten village is disturbed with the arrival of three prostitutes in the village’s bar, owned by two pimp brothers. The men, despite the efforts of their wives to stop them, spend all their time in the village’s bar, spending their last money on alcohol and sex. Chaos overcomes the village school; its devotees abandon the mosque. Only two youngsters benefit from all this mayhem, by realizing their love affair, forbidden by their parents. At the end, the women start upraising. Consequently, the bar is burnt down and the village looks that it will return to normality.
In the early '90s, the Yugoslavian Government cancelled the autonomy of Kosovo, dissolved its Parliament and closed down the National Television. All institutional life was reorganized by the new authorities, while the majority of the citizens responded with peaceful demonstrations. During this terrible time, Fadili, who works as an archivist, has to choose between two options, knowing that both of them are wrong. He therefore involuntarily and unwillingly "swallows" the shame, endures the pressure bearing down from all sides and puts up with the bad reputation for only one reason: to provide for his family.
Adriana Matoshi (born February 5, 1980) is an Albanian actress from Gjilan, Kosovo. She's best known for her roles in Zana (2019), Cold November (2018), Unwanted (2017) and The Marriage (2017). Matoshi has won multiple Best Actress awards in festivals of Kosovo, Italy and Greece.
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