A delirious movie installed inside a ghostly barn made with prefabricated materials. The oscillatory movement of the rocking chairs on which visitors sit partly helps to alleviate the syncopated rhythm of the montage and the frenzy of images that follow. A series of brassy characters in wigs and thick make-up map the various locations of the film: a lazy river, a hobby barn, and forest watchtower.
Beauty and the Baller is a single-camera TV comedy series about a pro athlete, his hot wife and what their life is like off of the court. Despite their fame and fortune, at the end of the day John and Deena Castle are just like any other couple when it comes to resolving problems, managing family and friends, and making sure the love that brought them together keeps them together.
Yellow Day chronicles a young man's life-changing and inspirational journey through the mysterious Yellow Day. To many, the Yellow Day is simply a fun day celebrating outreach at a kid's camp, but to some, God bestows visions and miracles, transforming their lives. For this young man, the Yellow Day becomes an imaginative adventure: showing him true heroes, challenging him to face his fears, find love, and inviting him to accept grace, so that he can be shaped into who he is meant to be.
In Comma Boat, we're stuck in a mock-authoritarian fantasy--a power trip. The film centers around a director-character played by Trecartin who oscillates between feelings of omnipotence and self-doubt. As if a post-human, post-gendered reincarnation of the Fellini character in 8 ½, the director gloats and frets about professional and ethical transgressions. "I know I lied to get ahead," he admits at one point. "I've made up so many different alphabets just to get ahead in my field." The director is fancier now, but the fear nags that he might be "repeating" himself "like a dumb soldier ova and ova and ova and ova." The meta-connection to the artist's own career, while obvious, is also a decoy. All art, at some level, is about the artist. Here, reflexivity is the surface level, providing a decodable veneer that encases something more unsettling and complex. Single-channel and 3-channel versions.
On the eve of her wedding, Monica invites her friends to spend the night at Douglas Plantation, unaware that the estate is rumored to be haunted by the spirits of thirteen murdered slaves. Now, someone or something is stalking Monica and her guests, and terror awaits them at every turn...
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