Forty year old Tomas Papartis is a regular guy, who lives a regular life. One day due to system failure he is declared dead. His bank card doesn't work anymore, his apartment is sold to the government, as if he had ceased to exist. Here stars Tomas's battle to prove- he's alive!
In 1942, in Vilna, the Nazi annihilate 55,000 Jews and squeeze the 15,000 survivors in a seven blocks ghetto. The twenty-two year old sadistic commander Kittel is assigned to administrate the ghetto in the capital of Lithuania, becoming the master of life or death. When he finds the gorgeous Hayyah sneaking with one kilo of beam stolen from the German army, he sentences her to death; but when he is informed that she was a former successful singer, he decides to activate the old theater and promote shows in the ghetto. The Jew Chief of Police Gens uses the theater and a sewing factory to save as much lives as he can; in his ambiguous position, he kills Jews to save lives of others.
Due to a curse from his former master Profion, Damodar survived his death by Ridley Freeborn as an undead entity in pursuit of an evil artifact for some hundred years, so that he might be capable of unleashing unstoppable destruction on Izmir and the descendants of those who caused his demise.
Elizabeth of Cooke (Joanna Pacula), a beautiful and valiant warrior returns from the Crusades to discover that her son Peter (Sander Kolosov) has been taken by Grekkor (Rutger Hauer), an ex-Lord wreaking havoc throughout the land. She sets out to locate and save Peter.
Attila was an American TV miniseries set during the waning days of the Western Roman Empire, in particular during the invasions of the Huns in Europe.
Nekenčiu reklamos is a Lithuanian comedy show, starring Rolandas Kazlas. It consists of non-sense funny commercials and Kazlas' life near television. There are 33 episodes, which were shown in 2000–2001.
An American-born Jewish adolescent, Hannah Stern, is uninterested in the culture, faith and customs of her relatives. However, she begins to revaluate her heritage when she has a supernatural experience that transports her back to a Nazi death camp in 1941. There she meets a young girl named Rivkah, a fellow captive in the camp. As Rivkah and Hannah struggle to survive in the face of daily atrocities, they form an unbreakable bond.
Will history be able to triumph, and misfortune and loss turn into joy? Everything is possible in the theater.
By browsing this website, you accept our cookies policy.
