A true story that occurred during the Iraq-Iran war, where one of the Iranian shells hit the bride Lamia on her wedding night. The story narrates the reality of the border city (Mandali) situated between Iraq and Iran, where the girl Lamia maintains loving relationships with everyone, highlighting the role of infiltrators like the madman who transmits information about the city to the other side.
A festival is being held in Babylon, to which archeologists, artists, and media professionals are invited, along with an Egyptian television delegation headed by an archaeologist. This scholar meets an Iraqi girl who bears Iraqi features, and gives her appearance the impression that the archaeologist, the archaeologist, and that his dream has begun to materialize in front of him, and a group of comic situations begins.
Badri Hussun Fareed, the late Iraqi artist, born in 1927 in Karbala, pursued studies in law in Baghdad before venturing into the arts. Graduating at the top of his class in theater arts in 1955, he later earned a scholarship to study at the Goodman Theatre Institute in Chicago from 1962 to 1965, where he excelled. Upon his return to Iraq, Fareed became a prominent figure in the theater scene. Notable works include directing plays like "Enemy of the People" (1967) and "The Last Hour" (1969). In 1995, he taught drama at the University of Rabat in Morocco before returning to Iraq in 2010. Badri Hussun Fareed passed away in 2017 at the age of 94, leaving behind a legacy of theatrical excellence.
By browsing this website, you accept our cookies policy.