A stunningly-crafted documentary that brings to life German-Jewish artist Charlotte Salomon in all her yearning for love and creative expression, her struggle to come to terms with her family history, and whose passion for beauty came face-to-face with the harsh reality of 1940s Europe. The title of this film comes from her remarkable 700-page painted life story in which she asks, “Where does life stop and art begin?” Director Franz Weisz masterfully weaves together interviews with people who knew her, family photographs, excerpts from a 1980 biopic, images of Charlotte’s vibrant paintings and a previously-unknown letter containing a shocking revelation.
Frieda , a therapist, is cheated by her husband Daniel. He makes love with Dorothea. Dorothea is wedded to Philip. Philip has an affair with his scholar Maggie. Maggie is in love to the florist Michael. Michael is married with Barbara. Barbara has a lover, her boss Marko. Marko is engaged with Simone Stern, a singer. Simone loves Leon. All of these secret liaisons could be undiscovered, if Simone Stern wouldn't be anxious to suffer from Aids. Without waiting for the test results, she informs her fiancé Marco about her apprehension of being Positive. Within a few hours the fear of being infected by the disease circulates in this group of people. Lies get transparent, secrets are uncovered, relations break up, Philip even has to pay his flam on his wife with his live.
Sebastian and Paul are two bored boys about 16 years of age. They drink alcohol, steal - and attend a private school. They can't find a sense of meaning in their present adolescent existence. They abduct Sonja and lock her in an old, abandoned factory building. But what shall they do with her? Disorientation, fear, desire and also love are changing into cruel aggression.
Great feelings about a selfless young doctor on the wrong path of passion: On the eve of the First World War, Ernst is betrayed and betrayed by the two women to whom he gives his heart. He serves in World War I, gets injured, gives himself up. His love for a Polish countess saves him. But the lover dies in childbirth and the supposedly common daughter is not his. His world finally collapses when even his beloved father robs him of the glory of a medical discovery. And yet he finds the strength to continue the fight for his happiness.
Motherless Céline writes a letter to Santa Claus asking her father to pick her up from hospital and take her home for good. Her letter ends up with the good-natured Marlène, who has a special heart for children. The loving Marlène finds ways and means to make more than just Céline happy. Marlène works for the first time for the office where all the letters that children write to Santa Claus end up.
A movie about the possibility to be happy—or about the impossibility of the same. A young man interviews people on the street. He asks them about the substance of their lives in order to find answers for himself, but he cannot find any. Then, a young woman: after a couple of disappointments, she finds the happy side of life—she finds something like love. They meet each other…
Everything goes well for the businessman of Berlin Carl Heldfeld till his daughter Ina is kidnapped and his wife Laura is injured and remains paralyzed.
Edgar Wurlitzer is on his way home when a woman suddenly jumps in front of his car. He quickly drives on and enlists the help of his friend Werner for a conclusive alibi. However, before they can arrange the alibi, the police are already at the door. Soon Edgar finds out that he has run over and killed his own wife.
Psychotherapist Katharina welcomes a new patient, Alex Neumann. Soon she also learns to know him on a more private basis. But when two of her colleagues, who had love affairs with their patients, are killed, she fears that Alex might by the murderer. She's torn between love and fear.
Birgit Doll was an Austrian stage and film actress and theatre director. She graduated at the Max Reinhardt Seminar in 1976 and made her stage debut at the Salzburg State Theater. Birgit Doll has worked with Ingmar Bergman, Michael Haneke, Maximilian Schell, Otto Schenk and Peter Patzak.
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