Philippines, late 1970s. A military-controlled militia is oppressing a remote village, spreading terror both physical and psychological. The fearless young doctor Lorena who opened a clinic for the poor disappears without a trace. Her husband, activist poet Hugo Haniway, attempts to find her.
Andrés Bonifacio is celebrated as the father of the Philippines Revolution against Spanish colonial rule. This eight-hour epic examines this myth, undertaking an expedition into history through various interwoven narrative threads, held together by an exploration of the individual’s role in history.
Little 4-year-old Juliet is eating dinner with her 30-year-old Aunty Sunshine. Frustrated by Sunshine’s inability to break up with her jerk of a boyfriend, Juliet starts to throw a tantrum. Through this, Juliet decides to teach Aunty Sunshine exactly how to cause a sensational break up.
Bradley Liew is a Malaysian born-Philippines based filmmaker who works as a Director, Producer and Cinematographer in both countries. In 2012, he was accepted into the Asian Film Academy of the Busan IFF where he won the Lumos Award for Outstanding Performance from celebrated Chinese filmmaker Jia Zhangke. He is also an alumnus of the NAFF Fanastic Film School, Berlinale Talents, Tokyo Talents, Locarno Filmmakers Academy, Eave Ties that Bind and the Sam Spiegel International Film Lab. In 2016, he completed his first feature film, a Malaysia-Philippine coproduction entitled Singing In Graveyards, which was the recipient of the Visions Sud Est Production Support Fund, the Southeast Asian Film Lab Most Promising Project Award and the Talents Tokyo Next Masters Support Program International Promotion Fund under Producer Bianca Balbuena. Singing In Graveyards made its world premiere in-competition at the 2016 Venice International Film Critics' Week. It went on to festivals such as Thessaloniki, Mostra Sao Paulo, Busan, Hawaii, Minsk, Singapore and won best film in both Kolkata and Malaysia.
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