Hawaii, May 1977. After the success of Star Wars, George Lucas and Steven Spielberg meet to find a new project to work on together, the former as producer, the latter as director. The story of how the charismatic archaeologist Indiana Jones was born and how his first adventure, released in 1981, triumphed at box offices around the world.
The incredible story of the mythical Russian-American actor and filmmaker Yul Brynner (1920-85), the most exotic sex-symbol since Rudolph Valentino; the story of the atypical destiny of an international nomad: from the Parisian cabarets to the stages of Broadway and the Hollywood studios. The rise to fame of a multidisciplinary genius who became a king of the screen.
THE RED SEA MIRACLE 2 continues to raise big questions about biblical miracles. How could thousands of feet of water be parted at the Red Sea? Or was the sea merely parted by the act of wind in nature, through a shallow Egyptian lake? Mahoney investigates these locations to see if any have a pattern of evidence matching the Bible. People of faith will be inspired and skeptics will have much to think about as Mahoney reveals two decades of documentary research including if divers found the remains of Pharaoh's army on the seafloor. This cinematic journey leads him to inquire... 'Do miracles still happen today?'
In this investigation, filmmaker Timothy P. Mahoney examines the journey to the crossing location, looking at two competing views of the Red Sea Miracle. One he calls the “Egyptian Approach,” which looks near Egypt. The other he calls the “Hebrew Approach,” which looks far from Egypt to the Gulf of Aqaba where divers have been searching for the remains of Pharaoh’s army on the seafloor. The investigation raises giant questions about the real location for the crossing site and its implications on your view of God. The answers to these questions point to one of two very different realities.
The story of The Satanic Temple, a controversial movement that combines religion and activism with the apparent purpose of questioning the basic foundations of US society.
The history of the peplum genre, known as sword-and-sandal cinema, set in Antiquity, from the silent film era to the present day.
Filmmaker Peter Brosnan digs up the set of the 1923 film 'The Ten Commandments', long buried in the sands of California's Central Coast.
Escaping death, a Hebrew infant is raised in a royal household to become a prince. Upon discovery of his true heritage, Moses embarks on a personal quest to reclaim his destiny as the leader and liberator of the Hebrew people.
Cecil Blount DeMille was a founder of the Hollywood motion-picture industry, one of the most commercially successful producer-directors of his time, and one of the most influential filmmakers in history. Between 1914 and 1956, he made seventy feature films; all but seven were profitable. Cecil B. DeMille is synonymous with religious epics: The King of Kings, Samson and Delilah, and The Ten Commandments (1956). He blended spectacle, sex, and spellbinding narrative to convey a message of faith. It was DeMille who created the image of the omnipotent director, megaphone in hand, wearing boots and a visored cap. DeMille gave Hollywood numerous stars: Wallace Reid, Gloria Swanson, William (“Hopalong Cassidy”) Boyd, Claudette Colbert, Robert Preston, Jean Arthur, and Charlton Heston. DeMille created the posts of studio story editor, art director, and concept artist. He was one of the first to use theatrical lighting on a movie set. In the late 1920s, when Hollywood converted to sound films, DeMille defied the sound experts, liberating the camera from a confining booth, and implementing the microphone boom. DeMille’s authority extended beyond the confines of his studio. He was a power in aviation, banking, politics, and real estate. In the 1930s, his fame as a filmmaker was surpassed by his fame as a radio star. He was a founder of the Academy of Motion Picture Arts and Sciences, an institution from which he eventually won two awards. In 1953 his film The Greatest Show on Earth won the Award for Best Picture of 1952; and he was presented with the Irving G. Thalberg Memorial Award. DeMille’s influence on world culture is incalculable, but there are estimates and milestones. His biography of Jesus Christ, The King of Kings, was a silent film, but because of a unique distribution arrangement, it was eventually seen by 800 million viewers. Samson and Delilah (1949) and The Ten Commandments (1956) are still listed with the top ten all-time box-office champions. They continue to generate revenue and provoke thought.
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