Portrait of an exceptional musical talent and one of opera’s biggest stars, mezzo-soprano Cecilia Bartoli. With interviews from her illustrious friends and colleagues from the world of classical music: Daniel Barenboim, Antonio Pappano, Gustavo Dudamel and more.
Cecilia Bartoli stars in this ebullient Zurich Opera House production of Rossini’s first French-language comedy opera described by the international press as “pure, unadulterated fun” and reminds us of her comic gifts and her naturalness as a stage actor — as well as her total sympathy with the music of Rossini.
Who was he - Agostino Steffani? A churches man, a diplomat, or perhaps even a spy? Cécilia Bartoli explore the myths around him.
Opera superstar Cecilia Bartoli offers her first operatic release on DVD in 12 years, and also her first opera in English. Bartoli stars as Semele (a role usually taken by a soprano) in Handel s late opera, which features such well-known arias as Endless pleasure, endless love, Myself I shall adore, and Oh sleep, why dost though leave me? Robert Carsen s stylish modern dress production hints at parallels with the problematic relationship between the late Princess Diana and the British Royal Family. Recorded live at the Zurich Opera House in January, 2007.
The opera: Nina, o sia La Pazza Per Amore itself, is an extra-ordinary sad and touching story, and seems very difficult to be performed if the singer has no acting talents. Therefore we adore Cecilia Bartoli for the magnificent performance as the crazy Nina who lost her mind totally. Her magnificent singing, we don't doubt at all, but her acting is amazingly such that it expressed a real situation of a girl becoming crazy and losing her mind caused by painful incidents in her love life. It is also supported by the other singers who are singing matching as perfectly and splendidly as the diva Cecilia Bartoli, especially the baritone Laszlo Polgar with his deep rich voice as the cruel father who has remorse and came back to see his daughter Nina and the young tenor Jonas Kauffmann with his clear light voice, resulting in a surprisingly beautifully performed opera.
When a wealthy Turkish aristocrat arrives in a humble Italian town, the married women roll their eyes in delight, their rival lovers lose out, and the husbands rage with jealousy. These may be silly clichés, but they are the subject of IL TURCO IN ITALIA and the composer plays with them – quite deliberately. He knows that he is putting archetypes of Italian comedy on stage with figures such as the exotic lady-killer Selim, the young woman Fiorilla, who is chained to the stove at home, but adventurous, and her husband Geronio, who is ridiculous because he is much too old – and relishes the ironic exaggeration. Franz Welser-Most conducts the Zurich Opera House Chorus and Orchestra in this performance of Rossini's opera buffa.
La Cenerentola, ossia La bontà in trionfo (Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the fairy tale Cendrillon by Charles Perrault. The opera was first performed in Rome's Teatro Valle on 25 January 1817.---- IMDB id refers to Great Performances: Season 24, Episode 12 La Cenerentola (3 Apr. 1996) from Houston Grand Opera so release date is misleading.
From the Styriarte Festival in Graz Austria, the acclaimed mezzo-soprano Cecilia Bartoli and Maestro Nikolaus Harnoncourt with his orchestra Concentus Musicu Wien, present a concert on Haydn arias and Symphony No.92, the "Oxford". The singing virtuosity of "Scena di Berenice" is sublime as is the performance of The "Oxford" Symphony from the ensemble renown for its specialty in early music and playing on period instruments. A unique concert.
The celebrated mezzo-soprano Cecilia Bartoli joins Bryn Terfel for a recital of arias and duets recorded at Glyndebourne Opera House in 1999. The programme features favourite pieces from Mozart, Rossini and Donizetti, with the London Philharmonic Orchestra conducted by Myung-Whun Chung.
Cecilia Bartoli OMRI (born 4 June 1966) is an Italian mezzo-soprano widely known in the music of Bellini, Handel, Mozart, Rossini and Vivaldi and for lesser-known music of the Baroque and Classical periods. She has also sung soprano and alto repertory. Bartoli is considered a singer with an unusual timbre. According to Nicholas Wroe in 2001, her voice was known for its "fully developed sumptuousness of the lower register, the vibrancy of the middle range...the top was limpid and powerful", and she was one of the most popular opera singers of recent years. Bartoli was born in Rome. Her parents, Silvana Bazzoni and Pietro Angelo Bartoli, were professional singers and gave her her first music lessons. She first performed publicly at age nine as the shepherd boy in Tosca. Bartoli later studied at the Conservatorio di Santa Cecilia in Rome. At the age of 19, she made her singing debut on the Italian television show Fantastico. She did not win the competition but was asked to sing with Paris Opera for an homage concert for Maria Callas. Bartoli made her professional opera debut in 1987 at the Arena di Verona. The following year she undertook the role of Rosina in Rossini's The Barber of Seville at the Cologne Opera, the Schwetzingen Festival and the Zurich Opera earning rave reviews. Working with conductors Daniel Barenboim and Nikolaus Harnoncourt, Bartoli focused on Mozart roles, such as Zerlina in Don Giovanni and Dorabella in Così fan tutte, and from then on her career developed internationally. In 1990, she made her debut at the Opéra Bastille as Cherubino in Mozart's The Marriage of Figaro and her debut at the Hamburg State Opera as Idamantes in Mozart's Idomeneo, followed by her La Scala debut as Isolier in Le comte Ory in 1991, a performance that solidified her reputation as one of the world's leading Rossini singers. In 1996, Bartoli made her debut at the Metropolitan Opera as Despina in Così fan tutte and returned in 1997 to sing the title role of La Cenerentola and in 1998 to sing the role of Susanna in The Marriage of Figaro. In 2000, she sang in another Mozart soprano role, Donna Elvira in Don Giovanni, at the Deutsche Oper Berlin. In 2001, she made a long-awaited Royal Opera House debut, taking the roles of Euridice and the Genio in the London stage premiere of Haydn's L'anima del filosofo. In addition to Mozart and Rossini, Bartoli has spent much of her career performing and recording Baroque and early Classical era music by such composers as Gluck, Vivaldi, Haydn and Salieri. In early 2005, she sang Cleopatra in Handel's Giulio Cesare. She often performs with the Baroque ensemble Il Giardino Armonico. In 2012, Bartoli produced a project entitled Mission, which premiered the works of Agostino Steffani, a lesser-known Baroque composer. Bartoli produced the music of the composer in CD form as well as an extended music video that portrays her as the priest-composer Agostino in the palace of Versallies. The video is known for its historic and visual accuracy of the Baroque period. Cecilia Bartoli's performance and production of Mission reflect the music and aesthetic of Steffani's time period through the setting, wardrobe, and cinematography." ... Source: Article "Cecilia Bartoli" from Wikipedia in English, licensed under CC-BY-SA 3.0.
By browsing this website, you accept our cookies policy.