On New Year's Eve, just a few hours before the breakup of Czechoslovakia, the Varchal family meets in Banská Bystrica in front of the church to baptize the newest addition to the family, little Zuzka, the daughter of Petr and Helena. However, Peter misses the baptism, because he got his hands on the file of his father Daniel, from which he learns that his father was led as an agent of the ŠtB. When Peter finally arrives home, he immediately confronts Daniel's father with his discovery. Daniel's heart can't handle it and he has a heart attack. His life is saved by the quick intervention of a family friend and the rest of the family. Daniel is taken to the hospital. After Peter reveals the reason for his father's collapse, more and more Varchal secrets begin to emerge, and the argument about the father and his motives gather momentum. As they leaf through the file together, the family is shaken to its foundations with each subsequent page.
After a painful divorce, 50-year-old Nadia finally finds a good flat for reasonable price for her and her daughter. Too good to be true, and soon, albeit too late, she comes to understand the reason for the bargain. Her close neighbour in the house is mentally ill Valika who terrorises everyone around her. Piussi’s film creates a string of absurd encounters with increasingly menacing effects, but it is – at its core – a fantastically precise film about humanism, its consequences, its possible limits.
Grumpy handyman Laco loses everything to a group of mobsters. Now wheelchair-bound and with his life spiraling, it's his new friend Gabo, a local Roma who helps Laco see things with a new perspective. Revenge is sweet.
Inspired by true events of the 1989 Czech and Slovak Velvet Revolution and Václav Havel's controversial release of 23000 prisoners. In addition to the story of three families affected by communist persecution, the film Amnesty also deals with the uprising of prisoners in Leopoldov, which required military intervention. The uprising was preceded by a broad amnesty granted by Václav Havel in January 1990, just a few days after his election as Czechoslovak president.
Just out of prison, Tomáš, a taciturn loner, takes a job cleaning houses where people have recently died. Things take an alarming turn when he begins putting in overtime: hiding behind closet doors after hours to secretly watch the homes’ residents. His voyeuristic ways soon lead to a romantic obsession with a woman in distress—but in order to help her, Tomáš will have to come out of the shadows.
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