Worlds collide in this unconventional essay film, when filmmaker, film historian, and archivist Daniel Kremer seamlessly edits Michelangelo Antonioni's legendary but controversial counterculture art film Zabriskie Point (1970) into the same narrative universe as Stanley Kramer's madcap epic comedy extravaganza It's a Mad, Mad, Mad, Mad World (1963). In creating these new sequences, Kremer comes to recognize that the exercise effortlessly draws cultural and historical parallels in twentieth-century American life that echo in present-day America. The editorial mashups weave a tangled web of social and cinematic history that root our notions of Americana in the mythology of the desert. As Kremer expounds in his narration on these often astonishing and sometimes shocking associations, his very personal ties to the subject matter become manifest.
During his career, Bob Hope was the only performer to achieve top-rated success in every form of mass entertainment. American Masters explores the entertainer’s life through his personal archives and clips from his classic films.
Documentary about the star-studded pre-inaugural gala that took place on January 19, 1961 to celebrate John F. Kennedy's election.
Biographical portrait of one of Broadway's most brilliant songwriters. Told through the use of archival material and interviews with the rich and famous that knew him, this portrait concentrates on his career and his public life events.
Fozzie and Kermit have come across a priceless collection of great moments in the career of the Muppets. This collection features many Muppet TV segments, including episodes of "Pigs in Space," and "Veterinarian's Hospital."
Tom Bosley hosts a tribute to the American musical theater taped before a live audience featuring dozens of stars recreating their original performances. Among the show-stoppers are Chita Rivera's Spanish Rose dance in "Bye, Bye, Bireie," Ray Walston as the Devil in "Damn Yankees," Nell Carter singing the Fats Waller classic "Cash for Trash" from "Ain't Misbehavin," Glynis Johns with "Send in the Clowns" from "A Little Night Music," Barry Bostwick from "Grease," and many more.
Ethel Merman (January 16, 1908 – February 15, 1984) was an American actress and singer. Known primarily for her powerful voice and roles in musical theatre, she has been called "the undisputed First Lady of the musical comedy stage." Among the many standards introduced by Merman in Broadway musicals are "I Got Rhythm", "Everything's Coming Up Roses", "I Get a Kick Out of You", "It's De-Lovely", "Friendship", "You're the Top", "Anything Goes", and "There's No Business Like Show Business", which later became her theme song. Description above from the Wikipedia article Ethel Merman, licensed under CC-BY-SA, full list of contributors on Wikipedia
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