An overview of the history of Great Britain's Amicus Films, which was a rival of Hammer Studios in the horror field. Included are interviews with company co-founder Max Rosenberg, cameraman Freddie Francis and director Roy Ward Baker, and clips from various Amicus productions.
This collage of interviews with the producers, John Hurt, and the makeup man comes off as both interesting and informative. Hurt's recollections about the role and the crazy makeup he worked in, are fascinating, as are the stories about the makeup artist using the real remains of John Merrick archived in the London hospital. A shorter bit has the artist explaining the exact construction of his amibitious makup, and he also narrates a slide show that includes color photos of the finished work. There are some mind-boggling stills of the real Merrick's grotesquely contorted skull, where excess bone seems to have grown like tallow dripping from a horrible candle, or a foaming tumor of excess calcification.
A retrospective documentary on the making of Cape Fear (1991) and Cape Fear (1962).
Frederick William (Freddie) Francis BSC (22 December 1917 – 17 March 2007) was an English cinematographer and film director. He achieved his greatest successes as a cinematographer, including winning two Academy Awards, for Sons and Lovers (1960) and Glory (1989). As a director, he has cult status on account of his association with the British production companies Amicus and Hammer in the 1960s and 1970s. Description above from the Wikipedia article Freddie Francis, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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