With two map pieces secured, Sugimoto ans Asirpa continue their hunt for the remaining 22 tattooed convicts whose bodies hold the key to hidden treasure.
Masaharu "Masaji" Tachibana was a brilliant programmer who got burnt out and suddenly stopped showing up to work. He now lives at home with his parents and spends his time sleeping and playing video games. He only ventures out of his room to visit the local convenience store for more energy drinks and snacks, until one day he learns that his parents have decided to build a "2.5 family" house with his sister and her family joining them. Masaji is forced to acclimate and with the change of environment begins to venture out of his room and his own head.
At the Hirata home, three generations of their family live together. A crisis ensues when one afternoon, housewife Fumie falls asleep and wakes up to find a thief has stolen her secret money she kept hidden in the refrigerator.
A solitary young woman and a lonely widow make a tentative connection as a pile of fake money brings trouble to their lives and newcomers to their town.
When Yasuko (Eriko Hatsune) was a child, her mother left their home. She grew up not knowing what an ordinary family is. Satoshi's (Kengo Kora) mother was the girlfriend of Yasuko's late father. One day, Satoshi appears in front of Yasuko. Since that moment, Yasuko's monotonous life begins to change.
The background to and depiction of a watershed battle in Japanese history, at Sekigahara in 1600, when Tokugawa Ieyasu's Army of the East defeated the Army of the West of Ishida Mitsunari. The story includes the intrigues and shifting loyalties of the various retainers, family members, and samurai.
Several years after Shuzo settled his wife’s birthday-surprise divorce proposal (What a Wonderful Family, 40th), the Hirata family faces new problems. Ignoring his family’s worry that he is too old to drive, Shuzo takes his old schoolmate for a spin after carousing. Soon, a new disturbance arises for the Hirata family. Veteran director Yamada Yoji continues his comedy about the “perfect“ Japanese family turned upside down in chaos, laughters and understanding. This time, with an additional taste of death.
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