In an apartment in Copenhagen a young Arabic man is placing an object that appears to be a bomb in a backpack. Meanwhile he listens to the radio news telling of the latest development in the cartoon crisis. Has this young man had enough of Danish intolerance and hostility. Will he go to the extreme and do the thing we've all feared?
A dying elderly scientist proposes love-sick Jonas a cure that will improve the youngster's physical skills and general sex-appeal. What the scientist really aims to accomplish is a body switch: he wants to survive in a young man's body and gladly leaves Jonas to wake up in his own wasted frame. Jonas must somehow signal his predicament to his friends. Both men rev up for a survival-of-the-fittest chase.
A young man on the run after a stay in prison is chased through the Northern parts of Scandinavia for a murder he has not committed.
Combining the exultant sweep of epic period drama with the subtle intimacy of biography in a social perspective, this is a tale of materially impoverished childhood, struggling early manhood and an unrequited first love turned into good musical fortune for Carl Nielsen, one of the great composers of the 20th century. Based on the composer's autobiography, the film itself is designed to soar like a symphony.
The early 1990s: 300,000 Danes are out of work. Viggo, a machinist with two grown children, is silent about feelings, scared he'll lose his job, loud about the value of trade unionism, interested in his pet fish, and argumentative at dinner. His wife Oda puts up with his moods and works on family genealogy. When Viggo is laid off, he becomes a fish out of water, hardly looking for work, starting a garden, and taking up with Karen, a polished but unhappy widow. He lies to his wife about a union training and goes to Mallorca with Karen. When she stops the affair, Viggo ends up in a psychiatric ward and must figure out what's really important in his life and in his character
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