A seemingly happy marriage begins to dissolve when the husband's faithfulness is called into question, and both spouses become tempted by other desires.
Carlo Verdone plays himself by portraying the drama and the comedy of his private life and his relationship with a loving and oppressive mother: Rome.
Adriano wakes up in a hotel room next to the dead body of his lover, Laura. The door is locked from the inside and there is no evidence of anybody else in the room.
Pietramezzana, a remote village in the Lucan Dolomites, is likely to disappear. Its inhabitants, led by the volcanic Dominic do not give up and, believing that the opening of a factory may be the solution to all their troubles, they want to make sure that the project is successful ...
An old bus drives through the streets of Rome. It's a long day. The bus fills up with people and stories. Then empties out. People get on. And get off. Faces, eyes. Expectations. A few encounters. Incidents. Slips. Ambiguities. Thefts. Rows. Confiding exchanges. Confessions. Projects. Plans. Lies. Slaps. Even one hijacking. A well-defined route can become a journey. Each encounter can become a future opportunity or can lay a former wound to rest. Every stop may produce the person who will change your life trajectory. Or not, and the bus carries on. At the next turn, someone else will get on and a fragment of his life will for a moment touch yours.
Emma has left Russia to live with her husband in Italy. Now a member of a powerful industrial family, she is the respected mother of three, but feels unfulfilled. One day, Antonio, a talented chef and her son's friend, makes her senses kindle.
The life of Franca Malorni, exponent of the good bourgeoisie of the capital, suddenly changes when her husband dies suddenly. The woman begins to pour her attention on the three daughters, obliging them to have a Sunday lunch with their families.
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