Marie-Ange Todorovitch

Overview

Known for
Acting
Gender
Other
Birthday
Jan 01, 1962 (63 years old)

Marie-Ange Todorovitch

Known For

Pelléas et Mélisande - Opéra de Lille
Movie 2021

Pelléas et Mélisande - Opéra de Lille

In a kingdom where day is night and noon chills the blood, a prince suspects his mysterious wife to be in love with his half-brother. But where does Mélisande come from? And what do we really know about the two heroes' silent love? A single opera was all it took for Debussy to transform the history of music forever. Opéra de Lille presents us with a Mélisande full of vitality and determination, far from the familiar ethereal figure. In the pit, François-Xavier Roth and his internationally renowned ensemble Les Siècles, playing on period instruments, lend new colours to a score which we thought we knew.

La Pietra del paragone - Rossini
Movie 2007

La Pietra del paragone - Rossini

Celebrating the 200th anniversary of this masterpiece's creation with this extravagant yet delicious production by Pier Luigi Pizzi at the Teatro Real Madrid! Far from the tradition productions in period costume, Pier Luigi Pizzi imagines this Touchstone in a modern villa "Beverly Hills style"! Sheltered by large verandas, the Count Asdrubale wanders in his luxurious bathrobe and watch his guests enjoy his gorgious garden, notably provided with real swimming-pool! With sport chic clothes and models dressed in bikinis, the stage is very close to look like the yacht of a celebrity...

The Marriage of Figaro
Movie 1994

The Marriage of Figaro

Live from Glyndebourne 1994. The first production to be filmed Live in Glyndebourne´s new opera house May 1994. The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single “day of madness” in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself; and Count Almaviva has degenerated from the romantic youth of Barber into a scheming, bullying, skirt-chasing baritone. This follows the Count trying to obtain favours from Susanna, Figaro’s bride to be, under the nose of the Countess.

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