Two years after publishing the memoirs of Cristina La Veneno ('Digo! Ni puta ni santa') Valeria Vegas has not written anything and feels more lost than ever. After watching again the documentary 'Vestida de azul', which portrays six trans people in Madrid in the 80's, the journalist decides to investigate the harsh reality that Loren, Tamara, Renée, Eva, Josette, and Nacha, its protagonists, lived.
This series examines the events leading up the brutal murder of Dominican activist Minerva Mirabal and her two activist sisters, on the orders of dictator Rafael Leónidas Trujillo. The heinous crime would set in motion not only the end of a vicious regime, but also come to mark the global fight against gender-based violence.
When high school teacher Tomás finds the bloodied, dying mayoress of his hometown high up on his local cliffs, he not only becomes obsessed with the case but turns into its first suspect. Though solving the case is local cop Maite's job, Tomás doesn't care if his own private investigation gets in her way. Solving the case might just give Tomás' life the purpose he has been silently dreaming of for so long. Though clashing more than once, the two of them come close as can be to finding the murderer: Norma, Tomas' very own physiotherapist. She killed the mayoress in a fit of rage after finding out one of her many dark secrets - one that lies many years behind but one that has deeply affected her and her family. A twist of fate has it, however, that Norma remains undiscovered; her former fear and powerlessness turn to empowerment and confidence. Then a second murder stirs up the waters. Now an unlikely team, Maite and Tomás resume the hunt for a murderer who is closer than they imagine.
Year 1998. Isabel, a journalism student, is forced to do her internship in the newspaper of a small Galician coastal town in order to finish her degree. When she arrives, she wants to start investigating as soon as possible, to demonstrate everything she has learned in order to become a real journalist. But the position she is assigned is the last one she expected: the writing and management of the obituaries that reach the newsroom. But this, which might seem boring at first, becomes the door to an investigation that will take her through different parts of the Spanish geography in search of an impossible love story.
In a globalized world where youth and technology reign supreme, three aged friends refuse to give up and dare to launch a business from scratch: a daycare center. But is modern society ready enough to embrace their venture?
Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.
Eduard, a husband and father who loses his family in a tragic accident, travels to parallel universes to seek a better fate for his beloved wife.
A woman organizes an escape plan camouflaged as a kidnapping to protect her children from her husband's enemies.
A family reunites to discuss the selling of their beloved house, but their secrets threaten to overwhelm them as they come to light.
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