Lola Blue is a talented comedian on the rise to success, regularly performing in Naples' trendiest clubs, with a next big break: to be the star of "Crepapelle," a TV show destined to be the pinnacle of her career. However, her impetuous and rage-prone temperament causes her problems, triggering public episodes of wrath that draw criticism and a court order forcing her to participate in a five-week group therapy program. She arrives at Sacred Circle, a retreat in the midst of nature in Umbria. Initially, Lola feels completely out of place and attempts to sabotage the experience; however, just as she begins to find serenity, a call from her manager prompts her to return to the stage. After an intimate night with Ravi, the retreat leader, Lola returns to Naples. Despite her renewed success, she decides to give up her race for fame to seek a deeper existential balance.
A group of female students and their lecturer, Nora, camp inside a bomb bunker to do research on the theses they are writing. After being escorted by a sinister-looking janitor, the girls prepare to spend twenty-four hours locked in the bunker. In the middle of the night, two of them disappear without a trace. Nora coordinates the search, but soon the survivors find themselves trapped in a maelstrom of violence at the hands of an anthropophagous.
A summer evening, a recently concluded rock concert, three strays in the dark of the night: an immigrant peddler with a valid residence permit expiring, an unemployed anarchist and Leila, a firefly without light. Their story is cut short by the senseless violence of two Nazi skins. But friendship continues to run in a yellow van, emblem of their freedom ... beyond darkness, beyond death.
An eighteen-year-old boy is released from an institute for minors with no family support, and for the first time tastes the bittersweet flavor of freedom; an imprisoned mother longs to go back and start all over again. These are the characters taken from the real world and transferred into a film that is first of all a shadowing of human beings, of their hopes and little acts of cowardice. But it is also the story of a time of waiting, of a soul going around in circles, a coming of age in a desolate and oppressive, marginal context that becomes a character in its own right.
Valerie, a maid of French descent (Monica Seller), comes to work for a family in Saigon of the 1930s/40s. One by one, she seduces the members of the family: the dame de la maison, the widower, young gay sonny with his friend from university, and grandpa.
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