After taking over a ramshackle little hotel, bought by mistake at an auction for an exorbitant price, the Garcias live a new adventure, helped, much to their regret, by a group of gifted children who are staying at the hotel to attend the Talent Final. Together they will confront the mafioso Benito Camarena, who will try to snatch the loot hidden in the hotel from the Garcias.
A year ago, Ricardo and Felipe, in charge of taking the children to a camp, stayed outside the train leaving the children inside. Clara no longer trusts them and this year she decides to take the children personally with the help of her friend Susana. However, now they will be the ones who, as a result of an accident, are separated from the children.
When Ricardo, a responsible father, decides to personally take his son to a camp in Asturias, other parents propose that he should also take care of their children. When the train is about to leave, Felipe, a flamboyant individual and grandfather of two of the children, shows up at the station.
La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.
In Madrid, Azu's husband Filipe is smug and boorish, but it's his money she slips to family members constantly in need of cash and that she uses to buy gifts for her lover, Pablo. Things start to fall apart when Pablo wants to leave her and when Filipe wants to evict Azu's cousin from a butcher shop he rents. Azu hatches a plan that relies on her sister, her cousin the butcher, and his mentally-challenged delivery man. When things start to go wrong, can Azu make them right?
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