In the 17th century, Leonor and Eduardo's forbidden love ends tragically when she is executed for witchcraft. Centuries later their souls reincarnate in Diana and Mario, but they face the fear of being discovered for their true selves.
Mariana is a poor young woman who is left alone in the world and must make her way in life. When she saves the life of Alberto Salvatierra, in gratitude he takes her to his house where she meets Luis Alberto Salvatierra and they fall deeply in love. To carry on their relationship, Mariana will have to overcome obstacles of social class, education and traumas, while being surrounded by ambitions and betrayals. When Mariana and Luis Alberto are able to realize their love, life will bring them a tragedy: the loss of their son.
Four women end up working in the same place for different circumstances and although at the beginning they are very different from each other, because they have different ways of thinking and seeing life, they come to realize that they have something in common and that they share the experience of having been victims of digital lynching in one way or another.
A Tokyo business man returns to his home country of Mexico where he must battle rivals to replace his grandfather as the head of a cartel.
Over a road trip, triplets Ana Laura, Ana Leticia, and Ana Lucía, along with their parents, suffer a dramatic accident crashing by the side of a river. The consequences of this event are catastrophic: Both parents die, Ana Laura loses one leg, and Ana Lucía, unconscious, is dragged by the river’s flow. Only Ana Leticia, who actually caused the accident, emerges unscathed. Soledad, a woman who was seriously hurt after her daughter’s death, helps Ana Lucía, whom she finds agonizing. Although Soledad discovers who the girl is, she takes advantage of her memory loss regarding the accident and her family and decides to keep her, making her believe she is her mother. Despite everyone declares Ana Lucía is death, Ernestina, the triplets' grandmother, and Ramiro, their uncle, don’t give up and do everything they can to find Ana Lucía. But years go by, the same as their wishful
"What Life Took From Me" is a Mexican telenovela produced by Angelli Nesma Medina for Televisa. It is a remake of Bodas de odio, produced by Ernesto Alonso in 1983. In 2003, "True Love", the first remake, was produced by Carla Estrada. Unlike Bodas de odio and "True Love", "What Life Took From Me" has been adapted to the present time.
Amores verdaderos is a 2012 Mexican telenovela produced by Nicandro Díaz Gonzalez for Televisa. It is based on Amor en Custodia, produced in Colombia, Argentina, and Mexico.
Teresa Chavez is a young woman with an obsession for money and ambition. Despite her beauty and the fact that she was raised in the bosom of a loving family, she is resentful; her one desire is to leave her humble but poor neighbourhood.
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