In 18th century Venice, 20-year-old violin virtuoso Cecilia lives at the Pièta orphanage, where, despite her talent, she remains confined, knowing that marriage is the only way out. Yet, her life takes a turn after she meets Antonio Vivaldi, a brilliant and ambitious composer who becomes the new violin teacher. Guided by Vivaldi and his music, Cecilia finds the strength to challenge the destiny that once seemed inevitable.
A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.
A film director gathers his favorite actresses, those he worked with and those he loved. He wants to make a film about women but he doesn’t reveal much: he observes them, takes cue, until his imaginary throw them into another era, in a past where the noise of the sewing machines fills a workplace handled and populated by women, where men have minor and marginal roles and cinema can be told from another point of view: the one of costume. Between loneliness, passions, anxieties, heartbreaking absence and unbreakable bonds, reality and fiction permeate, as well as the lives of the actresses and those of the characters, the competition and the sisterhood, the visible and the invisible.
In late 1940s Italy, a mother makes the difficult decision to send her son to the north, where he catches glimpses of a new life away from poverty.
Explore the life and work of acclaimed Italian filmmaker Carlo Mazzacurati, who passed away in 2014. It delves into his distinctive poetic style, blending genres, and portraying rarely seen parts of Italy with empathy and dignity.
Alessandro and Anna, just over the age of 18, meet by chance during an Interrail trip to Spain. It is a hot summer in the late 1990s, and the two immediately fall in love. Their lives, however, are much more complicated than the fate that brought them together, and soon the two are forced to separate. Over the years they remain linked by an intense correspondence, never able to muster the courage to see each other. However, 20 years after their first meeting and now adults, they meet again in Bologna. Their feeling, which has never faded over time, will have to clash with the interferences of a reality more complex than the one they had created only through words.
Two brothers reunite at their father’s funeral after many years apart. Between bitterness from the past and forgotten affection they will embark on a trip onboard their motorbikes which they built when they were children.
The old and overcrowded penitentiaries are just a memory. Inmates now serve their sentence in a state of deep sleep that renders them harmless, and has drastically reduced recidivism. Until one day, a psychologist in charge of monitoring the mental state of inmates finds himself confronted with a prisoner over whom he's lost all control.
In this poetic portrayal of Luigi Ghirri (1943–1992), a master of contemporary photography, the director gives voice and, in particular the image, to the protagonist. The photographer takes the audience on a tour of the outskirts of daily life as seen from the corner of his eye, the area in between what is artificial and authentic or grand and small – the meso-scale.
By browsing this website, you accept our cookies policy.