If there is anyone who embodies the current state of life in Croatia, it is the police detective Ivan Peric. The son of a fisherman, he became a detective as a way of avoiding working in the only really prospering industry of present-day Croatia – tourism. Now his life is consumed by trying to solve a series of essentially unsolvable murders of tourists. Because the tourists are so widely despised, no one will help Ivan. Evidence disappears into the labyrinth of bureaucracy. He is humiliated in public and online. In the local press, his boss even labels him an “uhljeb”, the Croatian slur for a “lazy bureaucratic parasite”. All of this takes place in the city of Split, where the breakup of Yugoslavia has left its mark.
The first of two two Videographic essays with critical reflections on representations of the Vietnam War. “Full Metal Kuleshov Effect,” counterposes the work of Stanley Kubrick with that of Santiago Alvarez and the Vietnamese director Hai Ninh.
“In 1946, my great-grandfather murdered a black man named Bill Spann and got away with it.” So begins Travis Wilkerson’s critically acclaimed documentary, DID YOU WONDER WHO FIRED THE GUN?, which takes us on a journey through the American South to uncover the truth behind a horrific incident and the societal mores that allowed it to happen. Acting as narrator and guide, Wilkerson spins a strange, frightening tale, incorporating scenes from TO KILL A MOCKINGBIRD, the music of Janelle Monáe and Phil Ochs, and the story of Rosa Parks’ investigation into the Recy Taylor case, as well as his own family history, for a gripping investigation into our collective past and its echoes into the present day.
A haunted man desperately searches for his lost love through an illegal pirate radio broadcast. Punk-agit-noir.
With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.
Travis Wilkerson (born in 1969; Denver) is an American documentary film director, screenwriter, producer and performance artist. Named the "political conscience of 21st century American independent cinema," by Sight & Sound magazine, Wilkerson is heavily influenced by the Third Cinema movement, and known for films that combine "maximalist aesthetics and radical politics." This is owed, in part, to his meeting Cuban filmmaker Santiago Álvarez. Following the meeting, Wilkerson made the feature documentary Accelerated Under-Development about that meeting, and he was heavily involved in the rediscovery of Alvarez's films.
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