In its first part, the film does not follow a specific fable; follows rather a patchwork of stories of various characters. In fact, the film starts after the transformation of Pinocchio child. Geppetto in his workshop, remembers when Pinocchio was still wood
Elba island, 1814. Martino is a young teacher, idealist and strongly anti Napoleon, in love with the beautiful and noble Baroness Emily. The young man finds himself serving as librarian to the Great Emperor in exile, whom he deeply hates, yet soon begins recording Napoleon's memoirs, getting to know and learning to value the man behind the myth. Among seductions and affairs, expectations and fears, he will craft a precise portrait that nevertheless will not manage to hide a final, inevitable, disappointment.
7th September 1943. The honest and reliable carabiniere Umberto is sent to escort the flamboyant con man Raoul Nuvolini from Terni to Venice. Umberto's fiancée Luisa follows him against his will.
Employed as a spy and given the task of investigating the threat posed by John the Baptist, Mary Magdalene is overwhelmed by John's powerful message of the coming of the Messiah. Gazing into John's eyes before he dies, Mary is left with the certainty that her place is at the side of this great man, Jesus Christ.
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