For 49 years, Ah Eng and Dou E were trapped in the "513" timeline. In 1969, post-election tensions gripped Kuala Lumpur when the Cantonese street opera "Snow in June" showcased Dou E, portrayed by the troupe master. Amid a riot, Ah Eng and her mother sought refuge with the troupe, losing contact with her brother and father. In 2018, Ah Eng returned to Kuala Lumpur and unexpectedly encountered "Dou E" at the cemetery.
When Sanlian's ex-husband passes away, she discovers he has altered his insurance policy, cutting out their son in favor of a stranger named Jay.
A tale of two islands and growing up as a stranger in a strange land, told with an artistry that recalls Hou Hsiao-Hsien at his best. Based on Ryunosuke Akutagawa’s short story of the same title (1922), Kawaguchi’s film moves the original early 20th-century Izu Peninsula to present-day Taiwan, where the strength of family ties is singularly put to the test. Yumiko (Machiko Ono), who married against her parents' wishes, has struggled on in stubborn determination since her husband’s death, moving her family from their Tokyo home to the verdant, rural Taiwan village of her in-laws. Her son Atsushi, strongly conscious that in ethnocentric Japan he is "different," is in a state of rebellion against both the society in which he has grown up and his mother. In their new home the family rediscovers the bonds that unite it.
A scientist uses his invention - the "Menger Sponge" - to capture the energy of a dead child's spirit in an old building. In trying to determine why the energy of the ghost does not dissipate, the team discovers the identity and the dramatic story of the boy.
Several residents of a Taipei apartment complex try to sort out their tangled romances in this Taiwanese drama helmed by Ming-Tai Wang. Hair stylist Angel can't get her aloof beau, Alan, to commit to their relationship -- a problem that escalates when Alan's first love moves in next door. Meanwhile, he's also having a fling with a middle-aged Mafia mistress who lives in the building.
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