As they play carefree music, their musicianship is met with surprise, wonder, and sometimes even laughter. Captivating all who watch, Otoasobi Project’s rich variety of expression reshapes the concept of improvised music. Formed in 2005 in Kobe, Japan, Otoasobi Project has some 50 members, including people with intellectual disabilities, musicians, and music therapists, who pursue music and well-being through improvised performances. After many years of numerous workshops, concerts, and other activities, they even held their first tour in the UK in September 2013. The movie “Whereabouts of Sound” depicts the appeal of the improvised music Otoasobi creates, and the beauty of its natural, honest expression.
The Unnameable Dance shows the life and dance of Tanaka Min, an elderly dancer in his 70s, in a multifaceted and dynamic manner.
Pig heads, intestines, megaphones: all these and more have been thrown into crowds of loyal fans following the influential punk band THE STALIN or any of number of Michiro Endo's other bands since 1980. Taking a step in front of the camera, however, Endo offers a very different kind of encounter in this inspiring self-portrait. "Mother, I've Pretty Much Forgotten Your Face" follows the artist, a native of Nihonmatsu, Fukushima, on the 2011 nationwide solo tour celebrating his 60th birthday, which was interrupted by the Great East Japan Earthquake. Traveling, performing and talking with fellow musicians and activists, Endo reflects on the past and future of Fukushima, the legacy of Hiroshima, his upbringing and his feelings about his mother, communicated in the song from which the documentary is named.
The film explores the journeys and philosophies of a select group of experimental musicians including Keith Rowe, Evan Parker, Eddie Prevost, Otomo Yoshihide, Toshimaru Nakamura and Christian Fennesz.
From radical turntablism (Otomo Yoshihide) to laptop music innovation (Numb), via classical instrument hijacking (Sakamoto Hiromichi), Tokyo's avant-garde music scene is internationally known for its boldness. While introducing some of the greatest musicians of this scene, "We Don't Care About Music Anyway..." offers a kaleidoscopic view of Tokyo, confronting music and noise, sound and image, reality and representation, documentary and fiction.
Experimental documentary about Japanese experimental musician Otomo Yoshihide. Includes interviews with multiple musicians, artists, and writers as well as live footage.
"AA" is a documentary about Akira Aida (mostly known as Aquirax Aida), a japanese music critic who introduced free jazz, improvisation, and progressive rock to Japan. It's based on interviews with 12 critics and musicians who had connections with him. This is a documentary that considers the past, present and future of improvisation.
Nor Noise is the first norwegian documentary about noise music. Movie Maker Tom Hovinbøle has from the start in 2001 interviewed a number of artists in the noise genre. The artists relay their thoughts on the phenomenon of noise music - what is it, where does it come from, what is the trade off when replacing traditional harmony and melody for pure audio experience, which possibilities can be explored? The movie explains the historical context of the genre, from the movement of Futurism and Luigi Russolo from before WWI to electronic experiments in the fifties, avantgarde in the sixties, industry and punk in the seventies to the final establishment of the noise genre at the end of the seventies in Japan. Adding to the flavour are concert performances.
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