A 60th anniversary retrospective documentary on the influence and context of the 1962 film, To Kill a Mockingbird.
An analysis of Quentin Dupieux's film "Incredible But True" by film critic Elena Lazic.
Joined by contributors, and with a different guest each week, Marie-Louise Arsenault hosts this magazine that highlights the week’s top stories, casting a critical eye on the national and international media and the images that surround us in journalism, advertising and social networks.
Some of the most thrilling weapons action sequences from movies and TV are put to the test. Join U.S. Special Forces veteran Terry Schappert and weapons master Larry Zanoff as they utilize the expertise of Hollywood's premier prop house and weapons builder — and break down some of the most explosive action in Hollywood history.
Dr. Jason Bull is the brilliant, brash, and charming founder of a hugely successful trial consulting firm.
A series of interviews between film historians Jonathan Rigby, Kevin Lyons, John J. Johnston and several others that tracks the events which led to the making of the film The Horror of Frankenstein and the state of the Hammer studio at the time.
A documentary series finale analysing the entirety of Twenty One Pilots' new full-length studio album "Trench". Jimmy not only uncovers the stories of internal pain and fear that Tyler Joseph tells through the songs on the album. But, he also learns to overcome his own personal fears.
NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.
This visual essay sets clips from Robert Bresson's "A Man Escaped" to a reading of "Functions of Film Sound," a chapter from David Bordwell and Kristin Thompson's book "Film Art." The chapter analyzes the sound design of Bresson's masterpiece as a means of discussing the use of sound in film.
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