A young glassworker-in-training living with his pacifist father finds his apprenticeship upended by an impending war and the arrival of an army colonel to their seaside town.
The year is 1968. Five teenage boys dream of running a movie theater in which they will not show pro-war films. One summer afternoon Giò, Delfo, Max, Ricky and Paolo learn to become trusted friends, indispensable to one another.
A war veteran tells his personal experience in “The War” to a psychiatrist, as a part of a social experiment. But nothing is as it seems…
The naïve Maris joins the Wehrmacht during the Nazi occupation of the Baltic states, together with his brother and several others from the village. The barracks are in a monastery, and Maris – whom everyone views as a fool – seems to consider his fate a religious calling. Until his eyes are opened by the soldiers’ misbehaviour, and he takes it upon himself to save a young woman.
Renowned artist Krzysztof Wodiczko creates powerful responses to the inequities and horrors of war. This in-depth investigation into the artist focuses on the recurring themes of war, trauma, and displacement in his work. An instigator for social change, Wodiczko’s powerful art interventions disrupt the valorization of state-sanctioned aggression.
In March of 2008, 250 veterans and active duty soldiers marked the fifth anniversary of the invasion of Iraq by gathering in Washington, DC to testify from their own experience about the nature of the occupations of Afghanistan and Iraq. Inspired by the 1971 Winter Soldier Investigation held by the Vietnam Veterans Against the War, they too sought to express their opposition to those wars with their first-hand accounts, bearing witness with voices not generally heard. Our documentary is a portrait of three participants. If follows their lives for 6 weeks leading to the even and afterward; an active duty female soldier, a 9 year National Guard Veteran, and a 3 tour former Marine. This is their story.
Twenty-eight people offer their motivations for and methods of resisting the war machine with their tax money. This tightly-paced short film introduces viewers to war tax refusal and redirecting tax dollars to peace, with music by Sharon Jones and the Dap-Kings, Antibalas, Rude Mechanical Orchestra, and First Strike Theatre’s version of “Don’t Pay Taxes” by Charlie King.
In the winter of 2002-'03, as the US was building its case to attack Iraq, people around the world responded with a series fo the largest peace protests in history. Shutdown: The Rise and Fall of Direct Action to Stop the War, is an action-packed documentary chronicling how DASW successfully organized to shut down a major US city and how they failed to effectively maintain the organization to fight the war machine and end the occupation of Iraq. Created by organizers involved with DASW, Shutdown combines detailed information on organizing for a mass action, critical interviews on organizing pitfalls, and the wisdom of hindsight. It is a must-see film for those engaged in the continuous struggle toward social justice.
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