A public flame-out at a New York media company forces 20-something alcoholic Samantha Fink to seize the only chance she has to sober up and avoid jail time: moving back home with her overbearing mother, Carol. Back in Greater Boston, Samantha restarts her life, working at the local grocery store while surrounded by all of the triggers that made her drink in the first place.
Morris navigates his way through a mandatory stay at Sweet Dreams sober living. In an attempt to get his life back on track, he agrees to coach a misfit softball team of his fellow housemates.
Explore the rise and fall of the Synanon organization — through the eyes of the members who lived it — from its early days as a groundbreaking drug rehabilitation program to its later descent into what many consider a cult.
In the series, when Shiv Sheridan returns to Dublin after years of partying in London, she is sober and full of good intentions – but being back with her family makes staying on ‘the dry' much harder than she expected. As Shiv tries to navigate this new phase of her life, so must her family and they all have issues they don't want to face.
Ellie, a recovering drug addict, has just moved to a new city with her two teenage children. She has struggled to stay sober in the past and is determined to make it work this time, finding a stable job and regularly attending her meetings. Unfortunately, new friends, a new job, and the chance of a new life, can’t keep Ellie from slipping once again. Her life changes when she meets Christopher – a different kind of addict – which forces her daughter and son to accept a new version of Ellie.
On Josh and Greg's first date, they quickly realize that the generational divide between them is the least of their worries.
In this film titled “From Candy to Cocaine” from 1986, the “Teens Kick-Off” performance group, a performance group recovering from alcohol and drug abuse, perform a modern theater piece on their personal stories of addiction and recoveries. The film also portrays adolescents, who share their stories from use and abuse to recovery. Real people, not actors, speak frankly about their addiction in a theater setting. Parents share their feelings, illustrating the family’s struggles. The film ends on a positive note, emphasizing recovery. It is produced in cooperation with the National Institute on Drug Abuse and the Department of Health and Human Services, directed by Terry Losardo, photographed by Charles Shedd, and edited by David Sherwin.
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