A young anthropologist reflects on her late grandmother's religious background.
Quatre altitudes bosniaques is an exercise in topographic cinema shot in Bosnia-Herzegovina. The document draws on the geography of the city of Sarajevo, from which the filmmakers construct a visual ethnography fragmented into four levels of elevation.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
The film delves into the work processes of an archaeological team from the Aranzadi Science Society at the San Adrián Tunnel site. Interspersing this observation with archival materials, the film explores the relationships between archaeology and museography, as well as the different ways in which these two practices produce the displacement of objects.
It is summer, a day in the life under the blistering heat. This is an archival journey through different pairs of eyes and different layers of skin - all in the hopes of finding someplace to sit and do nothing, while the world around you always wants you to do something.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
The Ring of Fire: An Indonesian Odyssey is a series of five documentary films following the decade-long Wanderjahr of the filmmaker/sibling partnership Lorne and Lawrence Blair.
The Danube Delta in Romania - the 'Last European Sanctuary’ - is a UNESCO World Heritage Site. While major efforts are made to protect biodiversity, the plight of local communities is largely overlooked. Social scientists claim that the traumatic nature of the swamp bears heavy on the villagers' lives. But is Nature really to blame? Swamp Dialogues is based on an extensive field-research in the Danube Delta Biosphere Reserve. Through a careful ‘argument montage’ built entirely on cinematic language the film represents an anthropological analysis formulated in image and sound.
An anthropological study of a cargo cult in a fictitious self-marginalized commune, which existed next to the Moscow Ring Road - a highway that marks the boundaries of the Russian capital - and survived mainly on roadside trash. Although the road provided for their basic needs, the existence of the commune was extremely precarious and highly dependent on the roadway's fluctuations. This dependency led them to develop a cargo cult of the road.
A film that explores the space of intimacy shared by three people who live under the same roof. Ariana, an eight-year-old foster girl from the city of Sao Luis, Iban, an anthropologist of European origin who intends to make a documentary film, and Doña Eloisa, a native woman from Itamatatiua who works in ceramics. The members of this kind of family in transit find in common a feeling that binds them intimately: the feeling of loss. Ariana, Doña Eloisa and Iban have lived the experience of separation from their mothers. Human fragility will become the truth of their relationship, even more so after Sheyla's death.
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